30 Telltale Signs of a Self-Published Book

Many people believe that they can spot a self-published book by merely observing its cover. However, there are far more things on the inside of a book that may earmark it as self-published. Some of these oversights have to do with editing issues while others have to do with interior design issues. With respect to a book’s interior, how can you almost always tell that a book is self-published?

1. Inconsistency with regard to dashes

Many self-published authors commingle hyphens and dashes. Never use a hyphen when what is called for is a dash. Hyphens look like this (-) while dashes look like this (–) or, more commonly, like this (—). The shorter dash is called an en dash (the width of the capital letter N in any given font) and the longer dash is called an em dash (the width of the capital letter M in any given font). Also, with respect to book publishing, never use double hyphens (–) when what is called for is a dash.

2. Use of too many boldface words and/or too many italicized words

The overuse of these stylistic devices not only makes the text look busy but will also serve to patronize the reader.

3. Spelling and punctuation inconsistencies

An edit style sheet can ensure consistency with respect to spelling and punctuation (e.g., Web site vs. website, toward vs. towards, thank you vs. thank-you)

4. Failing to include standard information on the book’s title page

There are five pieces of information that appear on a book’s title page: the book’s title, its subtitle (if applicable), publisher’s name, author’s name, and company logo—and in that order. It is not acceptable, for example, to include only the book’s title on the title page.

Contrast this with a half-title page, which when used, comes before the title page and it should only contain the title of the book.

5. Overuse of exclamation points (!) and/or overuse of ellipsis (…)

With respect to exclamation marks, while it is common practice nowadays to liberally use exclamation marks when texting, tweeting, or emailing, it is not considered acceptable to “sprinkle” them throughout your text in formal publishing. With respect to ellipses, many self-published authors appear to use ellipses to give their writing a sense of informality. In formal writing, it is not acceptable to use ellipses to string written thoughts together; a better practice is to say what you have to say and err on the side of using standard punctuation.

6. Not controlling for orphans or widows

Orphans and widows usually refer to words and phrases that are left dangling at the bottom and tops of pages. Without getting distracted by the definitions of orphans and widows, here is a brief summary of things to avoid: 1) Do not let a paragraph end with a single word left on a separate line. That is, don’t let a single word sit at the bottom of a paragraph on a single line by itself; 2) Do not let a paragraph begin or end with a single sentence that appears on a separate page. That is, for paragraphs that continue from one page to the next page, there should be at least two sentences at the bottom of the first page and/or at least two sentences at the top of the following page.

7. Problems with hyphenation

Words that form compound adjectives are hyphenated. However, when these same words are not used as compound adjectives, they are not hyphenated. So we would write “step-by-step approach,” but would write “approach the problem step by step” (not “approach the problem step-by-step”).

8. Not writing out numbers from one to nine

Numbers from one to nine are written out and are not written as numerals (notwithstanding some subtle exceptions). Do not write “There are 2 or 3 reasons…” but rather write “There are two or three reasons…”

9. Inconsistent use of periods for information contained in lists

When bullet points are used for information contained in lists, if the information set off by a bullet point is a complete sentence, it will be followed by a period. If the information set off by a bullet point is not a complete sentence, it will not be followed by a period.

10. Use of too many different font styles and/or too many different font sizes

11. Mixing of single and double quotation marks

Use single quotation marks in some places and double quotation marks in other places. With few exceptions, double quotation marks are required in American English (or books published according to The Chicago Manual of Style).

12. Inconsistent capitalization of words in a title and putting periods at the end of titles or at the end of headers within the body of the text

13. Putting page numbers (and/or page headings or footers) on “blank” even-numbered pages

14. Use of overly large paragraph indents

15. Use of Times New Roman (serif) and/or Ariel (sans serif) as the main font in your book

These two fonts are default fonts in Microsoft Word®. It is not the case that these are “bad” fonts, technically speaking, but rather they are so overused that they are not considered acceptable for use in book publishing.

16. Inconsistent punctuation with regard to the abbreviations e.g., i.e., e.g. and i.e.

In American English, a comma follows the second period in these abbreviations. In British English, a comma is not used.

17. Use of hyphens when an en dash is called for. In other words, write “pages 15–17,” not “pages 15-17.”

Note that an en dash, when as used in this manner, takes the place of the word “to.” In other words, the en dash translates as “to” and we can read this as “pages 15 to 17.”

18. Indexes—avoid “strings of unanalyzed allocators”

If an entry appearing in an index contains, say, fifteen or more page references, the entry in all likelihood needs to be broken up into sub topics.

19. Using asterisks for section breaks

With the exception of ebooks, the use of asterisks (that is, ***) is best avoided in print publishing as it suggests a lazy publisher. It is best to choose among a myriad of alternative stylistic symbols that can take the place of asterisks.

20. Combining bolds, caps, and underlining

There is an unwritten rule in publishing that we should never bold text, place it in capitals, and underline it. In other words, any two of these three treatments is acceptable but not all three.

21. Placing the copyright page on an odd-numbered or right-hand page

The copyright page is placed right behind the title page. It is always a “left-hand” page and never a “right-hand” page.

22. Starting chapters on even-numbered pages (also known as left-hand pages)

With respect to nonfiction books, we typically begin chapters on odd-numbered pages (right-hand pages). With respect to fiction books, particularly commercial fiction released as mass market paperbacks, new chapters may start on either even-numbered pages or odd-numbered pages.

23. Tables: cramming text in tables and not leaving enough space around words in a table

24. Using only rounded black bullets—not varying the type of bullets in bulleted lists

25. Using straight quotations marks when curly quotation marks are called for

There are two different styles of quotation marks: straight quotes and curly quotes. Straight quotes are also known as computer quotes or typewriter quotes. Curly quotes are commonly referred to as smart quotes or typographer’s quotes. For the purpose of publishing (printed) documents, we want to make sure we always use curly quotes and avoid straight quotes. Correct: “I’m happy.” (curly quotes) Incorrect: “I’m happy.” (straight quotes)

26. Failing to use a larger inside gutter as opposed to an outside gutter

The inside gutter of a book (that is, the border that faces the spine) should be larger than the outside gutter (page margin).

27. Leaving two spaces after periods rather than one space

28. Indenting the opening paragraph that begins a chapter or a new section

29. Putting the word “by” before the author’s name

On the book’s title page, the name of the author or authors is not preceded by the word “by.”

30. Using the wrong apostrophe to represent missing letters: rock ’n’ roll vs. rock ‘n’ roll

Note that when apostrophes are used to represent omitted letters, they are always “nines” not “sixes.” This means they curl backwards not forwards.

— Brandon Royal, www.brandonroyal.com

Self-Publishing Bloopers by Brandon Royal ©2016

Entrepreneurial Author Brandon Royal

Brandon Royal is an award-winning writer whose educational authorship includes The Little Red Writing Book, The Little Gold Grammar Book, The Little Green Math Book, and The Little Blue Reasoning Book. During his tenure working in Hong Kong for US-based Kaplan Educational Centers — a Washington Post subsidiary and the largest test preparation organization in the world — Brandon honed his theories of teaching and education and developed a set of key learning “principles” to help define the basics of writing, grammar, math, and reasoning.

A Canadian by birth and graduate of the University of Chicago’s Booth School of Business, his interest in writing began after completing writing courses at Harvard University. Since then he has authored a dozen books and reviews of his books have appeared in Time Asia magazine, Publishers Weekly, Library Journal of America, Midwest Book Review, The Asian Review of Books, Choice Reviews Online, Asia Times Online, and About.com.

Brandon is a five-time winner of the International Book Awards, a seven-time gold medalist at the President’s Book Awards, as well as recipient of the “Educational Book of the Year” award as presented by the Book Publishers Association of Alberta. He has also been a winner or finalist at the Ben Franklin Book Awards, the Global eBook Awards, the Beverly Hills Book Awards, the IPPY Awards, the USA Book News “Best Book Awards,” and the Foreword magazine Book of the Year Awards. He continues to write and publish in the belief that there will always be a place for books that inspire, enlighten, and enrich.

Contact Brandon Royal via E-mail: contact@brandonroyal.com or Web site: www.brandonroyal.com

Kirkus Review: “Parts of Speech Parade, New York City”

Parts of Speech Parade, New York City
Irina Dolinskiy, author
Mark Wayne Adams, illustrator

Dolinskiy’s debut picture book explains parts of speech in rhyming text accompanied by Adams’ phenomenal illustrations.

Nouns, verbs, adjectives, prepositions, conjunctions, and interjections all appear in this rhyming text. Images accompanying the parade feature a racially diverse assortment of New Yorkers: children, adults, and animals of all shapes and sizes appear in clearly recognizable locations, beginning with the Statue of Liberty and traveling through places that include Rockefeller Center, Grand Central Station, and Central Park.

With wonderful pictures and well-worded descriptions, this picture book will be an excellent supplement to grade-school lessons on grammar.”

Read more of the Kirkus Review…

Meet Irina Gonikberg Dolinskiy

Irina Gonikberg Dolinskiy is a corporate/business attorney, as well as a classically trained pianist and an avid writer and storyteller. Having practiced law in New York for a number of years, Irina is now a partner at a law firm in Central Florida, where she resides with her husband and her daughter, Jayne. Irina’s son, Mitchell—the original audience and inspiration for her stories—lives and works in New York City.

Parts of Speech Parade, New York City was first written as an entertaining grammar aid for the author’s then-young son, Mitchell. After becoming fast friends with the Noun, Verb, Adjective, Preposition, Conjunction, and Interjection, Mitchell started recognizing their familiar faces in every book, making his reading adventures fun and enjoyable.

While Mitchell is now a college graduate, the author is eager to share the Parts of Speech Parade with today’s girls and boys who are newly discovering the magic of reading.

Read more about Parts of Speech Parade, New York City

Mark, this is simply beyond amazing!! I am absolutely speechless (no pun intended), and in awe of your brilliant creativity!” – Irina Dolinskiy